In his novels, Dostoevsky brings out the truth that those who “kill” God also kill man and that man without God cannot remain free.

In simple but compelling terms, the nineteenth-century Russian author explains the situation of the West: “The West has lost Christ and that is why it is dying; that is the only reason.” The one basic choice placed before modern man is that between the man-god of the atheists and the God-man of Christian revelation. Dostoevsky had faced that choice himself and made it in favor of Christ and the faith of the Church. He saw the same choice placed before every man.

Many atheists pass across the pages of Dostoevsky’s novels. Through them, Dostoevsky shows in dramatic fashion that, without God, man has nothing but falsehood and inevitably becomes an enemy to himself, and ends by organizing the world against himself. He shows the disaster coming upon man as a result of those revolutionary ideals which are the legacy of Western liberalism and its project of eliminating God and secularizing society. No matter how valid is this or that element in the secularist critique of society, Dostoevsky sees the truth that those who “kill” God also kill man. He also saw that man without God cannot remain free.


The first sign of hope is in the faith of those Christians who have continued to believe from the heart. Many of these are unlearned and poor. For example, a character in one of his novels meets a young peasant woman with a baby. When the baby smiles for the first time, the woman makes the Sign of the Cross. When asked why she made this sign, the woman answers: “All the joy that a mother feels when she sees her child smiling for the first time… God feels every time He sees… a sinner praying to him from the bottom of his heart.” From this event, Dostoevsky takes hope, seeing that the very heart of Christianity is expressed by a poor woman of the people. Such simple faith is the most compelling answer to today’s atheism.

Another reason for hope is the power of the gospel itself. Dostoevsky does not despair of the gospel touching the heart, even of the atheist who thinks man has invented God. The key to reaching such a person is to announce the gospel from personal experience of the Church’s faith, thus showing that faith is not just words. The Christian must speak of his meeting with Christ, telling what he has seen and speaking of eternity. This might touch the heart of the atheist, who being really more idolater than atheist, is searching for someone to worship. Through contact with true Christians who preach the gospel by their lives as well as by words, the atheist might be converted and enter into the spiritual world, the gate of which is guarded by the mystery of Christ.

Such a conversion occurs in Crime and Punishment, when Raskolnikov, converted in Siberia, opens the New Testament. This, says Dostoevsky, is the beginning of another story. For the meeting with Jesus Christ and with his Church always marks the beginning of a new era for every individual person and for society as a whole. In that encounter alone begins the other story, the “drama” of a true Christian humanism and the salvation of the world.